Queen Street Magic Boat stimulates radical possibility both in content and in form.
Queen Boat is a living gallery, residency + gathering space, fern garden, theatre, stained-glass studio, and SCUBA diving school. A hub for creative people of all ages who have an embodied experience of institutional oppression, Queen Boat supports a mycorrhizal network of communities that intersect in various movements, identities, visions, water bodies, and media forms create new worlds in real time.
Because, when we hear you talk, we want to listen. When we see you move, we want to move. Because you reflect. Because your power rises from a juxtaposition of carving, allowing, pummeling and easing. Because if you can’t break through, you evaporate and fall on the other side, pooling into a new body. Because your work sings to rarity. Because you know how to get outta here, and rise at the same time. Because you’re darkness and prismatic. Because in a flood, you make your own path. You're also cool staying where you are. You can be invisible, you can be seen, you can run underground. Nobody can bless you, because you're already blessed.
Queen Street Magic Boat’s lead organizer is Catherine Edgerton (they / she / Ed). Edgerton refracts images through multimedia collage and kaleidoscopic play to interrogate notions of sanity in the US. Building in layers, in books, in home, and in community, Edgerton interrogates myths of “good” mental health in the context of white supremacy culture in the US. In expansion of this work, Edgerton invites lens-shifting through stained glass kaleidoscopes and oceanic immersion, juxtaposing the mundane with play to create surreal visions of patterns and light. Catherine is accountable to Gallery of the Streets and a circle of local advisors.